|Vanessa Becerra and Joseph Leppek|
Photo: Karli Cadel/The Glimmerglass Festival
Although the set (by Peter J. Davison, and more about it below) and the costumes (by Jessica Jahn) suggest a more recent time, you can’t pull the 1950s out of this show. It’s as specific to its time as a Gershwin show was to the ’30s, but “West Side Story”’s two Tonys and ten Oscars suggest how firmly it lodged in the public consciousness. Thus, while it ought to seem as antique as that Gershwin show, its central conflict has never been more up-to-date. Composer Leonard Bernstein was very vocal about his wish to effect change; perhaps it’s just as well that he’s not here to see how far we’ve backslid.